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Was Twain a Racist?
The answer to the above question depends, obviously, on how one
defines "racist"; if one defines it as a mind-set which automatically
perceives people of another skin color as mentally inferior, morally
stunted, and culturally backward, then he should not state that
Mark Twain held racist attitudes towards African-American people.
Young white boys growing up in Missouri in the 1830s would have
known African-Americans from infancy, of course. The evidence
shows that the young Samuel Clemens not only knew African-Americans
but also retained their impressions upon him throughout adulthood.
Many of his childhood companions were African-American; one of
his favorite adults in his childhood was Uncle Dan'l, a slave
on his Uncle John Quarles's farm; he formed close bonds with African-American
servants, especially Mary Ann Cord, a cook at his sister-in-law's
Elmira home who served as the model for the narrator of "A True
Story, Repeated as I Heard It, Word for Word". Perhaps his most
striking appreciation of African-American culture was for its
sacred music. Twain would astound friends such as William Dean
Howells by singing "Negro spirituals" with a religious fervor
or quietude not normally associated with him. When he saw the
Fisk Jubilee Singers on a European Tour in the 1890s, he wrote
that he would walk ten miles just to see them, and considered
such singing among the greatest on Earth. African-American culture
was an integral, immanent part of the American culture which Twain,
in his more optimistic moments, claimed was on the ascendant as
European culture was on the wane.
On the other hand, Twain was a product of the ante-bellum South.
He explained once that he employed African-American servants because
he couldn't bear to give orders to white men. Scholars such as
Bernard W. Bell have perceived traces of minstrel-show stereotypes
in Twain's characterizations of African-Americans, leading Bell
to claim that "Twain never completely outgrew the racial prejudice
and paternalism of his boyhood." Then again, Twain also wrote
countless articles and essays fulminating against not only discrimination
against African-Americans, but also American imperialism in the
Pacific, discrimination against Asian-Americans, and anti-Semitism.
Twain also financed the college tuition of two African-Americans
in the late 19th century. Yet this same man also showed a chronic
diffidence towards defending the rights of Native Americans, albeit
one he conquered as he aged.
Of course Twain was the product of his country and his times;
in his day, he certainly expressed progressive views about race
relations, as did his friend and fellow writer George Washington
Cable. This may not answer the question whether Twain was racist
in the minds of some readers, yet one must consider what sort
of barrier time places between Twain and us. David Lionel Smith
observes: "What Samuel Clemens may have thought or felt personally
about black people cannot be reliably inferred from his writings,
nor should we assume that what he wrote remained always within
the limits of his quotidian reflexes." In short, it is impossible
to fully know the mind and genuine opinions of the man whose imagination
spawned The Adventures of Huckleberry Finn; however, it is important to refrain from dismissing him as a
mere racist or man whose views on race were nothing less than
complex and fully-engaged.
Sources: Shelley Fisher Fishkin, Was Huck Black? Mark Twain and African-American Voices
Bernard W. Bell, "Twain's 'Nigger' Jim, the Tragic Face Behind
the Minstrel Mask" in Satire or Evasion? Black Perspectives on Huckleberry Finn, ed. James S. Leonard, Thomas A. Tenney, Thadious M. Davis.
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